Jarmusch told The Playlist that he was preparing to shoot his next film — and, in a surprising twist for the director and Sqürl collaborator, the new film may feature no music whatsoever.
“The film we’re preparing now for late this year to shoot, probably, I think, may have no music,” he explained. “It’s a very subtle film; it’s very quiet. And I think music could move it too much one way — it’s a funny and sad film, right? It sort of has both woven in. I don’t know if I wanna have music to add some other thing over it. It doesn’t really want it so far.”
Exoskeleton an emerging production company is reportedly developing a new project titled as, ‘Father Mother Sister Brother’. Being a relatively new production company, Exoskeleton will be teaming up with Animal Kingdom and CG Cinéma for the upcoming feature film. Animal Kingdom is a production company based in New York. CG Cinéma is another production company which is based in Paris.
The upcoming movie has supposedly commenced its filming in November 2023 and is predicted to complete its production in March 2024. West Milford, New Jersey and Paris, France will be serving as the primary locations for ‘Father Mother Sister Brother’.
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父母姐弟,家长里短,鸡毛蒜皮,芝麻大小等等,这些都发生在生活里,都发生在世人身边里,都发生在每个人的谈笑风声里,看似三个故事的分段结构,但互相关联,滑板少年的慢镜头,开着私家车在公路上奔跑,家里的家具和泛黄的照片或者儿时的照片,那块每个故事里戴在手上的劳力士手表,一家人围坐桌边喝着咖啡,品着茶,聊着这些里里外外,还有父母最关心孩子那份爱意,三个故事各有不同,儿子看望父亲,女儿看望母亲,姐弟看望已经离世的父母却满是家庭温馨的出租屋,借用孙老师的一句话,生命,其实没有那么多戏剧冲突,但它的每一天都有一种不可测,一种滑向他处的可能。生活好似普普通通平平淡淡的日常,一家人越来越难的看望不由得变成一种奢侈,多陪陪家人多陪陪身边人,珍惜眼前人,直视周遭人,或许这个世界兴许变得会很有趣,看到这样的三个故事,三个结构,不经想起过年时去探望爷爷奶奶外公外婆,或许老人的殷切期盼就是聊聊天叙叙旧谈谈心,很温暖的一部电影,加以摇滚的配乐让其显得更搭调,给8分
影片由三个独立短篇构成,每篇30来分钟。前两个故事里紧绷的亲子关系令人如坐针毡,人物躲闪游离的眼神,处处透着压抑的窒息感。而最后一则龙凤胎重返旧宅、追思父母的故事,画风陡然转柔,在旧屋的一景一物里,缓缓流淌出对父母绵长的怀念,和前两篇形成强烈的情绪反差。另外,非要把水、红色、星座、劳力士之类的元素各沾点边也很勉强~提到我国的假货,也是有点羞愧了呀……整体不算最好,文艺咖凑合看吧 (不太懂第一则故事里,父亲为什么要装寒酸?)
贾木许把这么老些个德高望重(没有)的老师们统统搜罗起来,就是为了给我看这个?春晚总导演联系你啦?三段小品观感上足够精致,简约,呼应而克制,但不够动人,更不够诗意,甚至远不如《帕特森》。或者要我说老美国人老欧洲人的情感和语言表达,就是没有东方人的意味和复杂性在里面,导致本该微妙的亲子关系尽管穿插了留白与幽默,但仍显浅薄。
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