上帝造蒼生，如果阿當在貧民區墓地靠掛屍骸牌號帶維生，夏娃 要當雛妓救病重的老父，地球上最像伊甸園的地方竟然是停屍 間。由影帝名導德迪．米玆瓦爾加持，女導Aria繼02年《Beth》 再度進化，炮製了一席印尼社會眾生相的盛宴，面對多元種族、 語言、習俗與宗教的大融合，新舊交雜與爪哇人生活結合，社會 矛盾、貧富懸殊見怪不怪，反對聲音湧現於各式光怪陸離現象， 在迷失的樂土中佐證當地社會民情的面貌。 Adam works at a hospital mortuary, cleaning dead bodies while collecting the ID tags off their toes. The disenfranchised come to the hospital for treatment but leave inadequately serviced or refused care. In the hospital lobby, Adam befriends a young woman who sells her body to pay for her father's treatment. But when he tries to help them get health insurance, he finds that she and her father lack proper ID – on paper and also metaphorically, Indonesian society having ground these people into a nameless, powerless lower class. A satiric, disturbing and surprising work, IDENTITY deservedly won four prizes at Indonesia's Oscars, the Citra Awards.